Adrienne Skye Roberts writes:
What exactly constitutes queer time? How is time, and consequently space, understood through queer identities? How do the films featured in Across Queer Time represent this experience? In my own thinking, experience, and more formal research (influenced mostly by Judith Halberstam�srecent publication, the title of which I borrow for this blog post) queer time can be defined as a way of being that exists beyond the linear and conventional notions of familial institutions and biological reproduction. It allows for a reinterpretation of family and a radical reformulation of kinship. Queer time also emerges in the context of struggles that are inherently political and personal, such as the AIDS epidemic and the communities formed through collective action and protest. Yet, the films chosen by Hanasik refuse to be directly defined by any formalized theories of queer time and I think their success lies within this refusal. Hanasik made a point to include an intergenerational perspective in Across Queer Time with films ranging from 1974 to 2009. More than this obvious relationship to time, the films featured non-linear narratives and film sequences, and made visible queer spaces, the slippages in identities, relationships, while questioning the time and space in which these experiences exist. The very designation of the term �queer� attempts to dislodge itself from a gay/straight dichotomy to exist within a liminal space of non-definition.